----------SFMOMA (San Francisco Museum of Modern Art)

After the park we skipped on over to the SFMOMA--very fun to say. :) THIS WAS SO COOL. The Kids and Curt loved it too. There is too much to tell about to write it all here, so if you want to know more send me an e-mail. Also, if he ever has an exhibit in your area, I highly recommend going!!



(Above is a Kalaidascope hallway that you walk through, which is suspended over a several story foyer you can also look down and see people walking around etc.)

A few highlights
(Top middle) A room with mist coming down and a light source. Depending on where you stand in the room you could see different shaped and angled rainbows . . . the kids loved walking through the mist too!)
(Middle left) A round room made from a thin screen, with very bright light behind it that changed colors. The idea here was a loss of depth perception. You stand facing the screen a few inches away and you can't see the screen, nor can you see peripherally, and it feels like what movies portray when someone passes away and are in a totally white space with no points of reference. Did any of that make sense?
(Middle right) This structure was actually 9 or 10 feet tall. From the outside you could look in the end of the points and see inside. You could also go inside and look at all the people looking in and it made a Kalaidascope of their faces on the inside.
(Bottom left) When you first step off of the elevator onto the floor of his exhibit you are in this yellow foyer, which makes everyone and everything look black and white, instead of in color.

If you want to read a little about the artist read the fine print below. :)

Widely heralded as one of the most important artists of his generation, Olafur Eliasson nimbly merges art, science, and natural phenomena to create extraordinary multisensory experiences. Challenging the passive nature of traditional art-viewing, he engages the observer as an active participant, using tangible elements such as temperature, moisture, aroma, and light to generate physical sensations. The works assembled for this presentation — the first U.S. survey of this Icelandic artist's oeuvre — date from 1993 to the present and reflect all facets of his creative practice. Encompassing sculpture, photography, and large-scale immersive installations — including a newly commissioned kaleidoscopic tunnel that envelops the Museum's steel truss bridge — these groundbreaking projects are intentionally simple in construction but thrilling to behold, sparking profound, visceral reactions designed to heighten one's experience of the everyday.